I love a good starting-over story. In California Summer, Rosie doesn’t have much of a choice. Her Hollywood life fell apart and she ended up in Montecito – uncertain of her future. But, a mother figure/ butler friend/ bff/ neighborhood guy later, and Rosie’s on her way back up. Question is, does she want to go back to the fast lane, or does she want to settle in to Montecito life with the ones she loves?
I loved every fish taco, every Estelle dinner party, and every rose garden chat. Anita Hughes rocked the luxuriousness, as usual, and threw in some pop stars and surfers for good measure. The plot twist was perfect – completely believable and not overdone – and endeared me to Rosie’s boyfriend even more.
The only shortcomings of this novel were that Rosie had two very annoying habits: 1- wearing the same red, full length cocktail dress randomly and to every gathering under the sun, whether it was appropriate or not, and 2- Rosie ran and hid like a toddler from any uncomfortable situation. I just wanted her to get a new dress and grow a set!
Apart from those two things, I liked all the characters, even spoiled Angelica and Hollywood agent Ryan. Hughes did a great job rounding out character development and writing someone for every reader to identify with. My favorite parts were meeting Esmerelda through Rosie’s eyes, and watching Rosie finally grow up.
Abby, Caroline, and Lee hop on a cruise ship with their guys and their kiddos… to celebrate a 20th wedding anniversary, share some personal news, await a proposal, and straighten out some of life’s twists and turns.
I loved the cruise ship setting. So fun! For an hour or two each night I was whisked away into the land of lounge chairs and umbrella drinks — and hot sunny days. Wendy Francis did a fantastic job making the friendships real and easy. The women were like sisters with each other – just how I’d imagine this trio in real life. And although some of the plot was predictable, Francis developed it in a fresh, engaging way. I was in it for the whole cruise: laughter, tears, and mouth agape. Nicely written, very entertaining!
This reminded me of Beaches. Yep, the movie. The plot wasn’t the same, but it just had that same kind of feel.
Sister and cousins all return to a beach house one summer to share memories from their childhood summers, and to spend time with Megan who has cancer.
The beginning of the book pretty much focuses on Megan and her needs. Then we hear about Charley and her current life problems as they relate to her childhood problems… but Megan kind of fades away in the background. I was like Hey! Don’t forget about that Megan character!
Sadly, it happened again when we are introduced to Krista, the ex con. Megan is barely mentioned, and Krista totally overshadows the Charley character. I had just gotten invested in Megan and Charley… and they were dropped like a hot potato.
Carr’s Virgin River series illustrated how to have a developed protagonist as well as an ensemble cast. I was hoping for the same in The Summer That Made Us. Had the character development been more balanced, and had the characters not been such stereotypes, this novel would have an extra star!
I enjoyed the somewhat predictable plot, I appreciated the well-written dialogue, and I was impressed that Robyn Carr still comes up with fresh ideas for new novels. This one just wasn’t for me.
Caleb White, tennis player extraordinaire, needs a distraction from his recent decision to retire. When he visits Cloud Bay he meets the perfect distraction — Faith. Faith runs a huge music festival, mostly because she’s the daughter of a famous (and deceased) rock star, but also because she’s really really good at it.
I was hooked on Caleb and Faith, separately and together. But I wasn’t hooked on the music festival because music festivals just aren’t my bag. I kind of wished for more island-ish happenings – like catching rays, boat rides, and digging toes in the sand. But that’s just me. I have no idea how I thought this book was going to be about coastal living, but I was definitely wrong! I was right about one thing however – that Emma Douglas would give me a happily ever after.
So there’s rockers and romance… and family dynamics, a little bit of dysfunction, some nice architecture (hello million dollar coastal homes), and a good look at ambition, which I loved. If you also appreciate outdoor festivals, rock band life, and all things musical, this book is for you.
Love the luxuriousness and glamour that this book exudes – like Hughes’ others. Lily and Oliver were a cute couple, even divorced, so I enjoyed their banter and rapport.
Unfortunately, Emerald Coast was a little too predictable even for me, and I wasn’t a fan of the cliched reasons why Angela and Ricky were looking for a mate. I’ll always love Anita Hughes for her rich descriptions, beautiful writing, and memorable scenery. I just wasn’t cut out for the plot of this particular story.
The idea of buying a beach cottage and renovating it all summer has always appealed to me: Painting the deck rails white, power washing the cedar shingles, planting hydrangea, gutting the tiny kitchen and installing beachy-chic cupboards. How great would it be to paint the walls sea beeeze blue, shop for the right outdoor pillows at HomeGoods and commission a beach scene mural? The great thing about The Summer House is you get to have all the fun of a beach cottage reno… without all the work… and with a handsome guy taking you to lunch all the time… and finding an old diary… and a wonderful artist who just needed to reacquaint himself with his muse.
See, we might not get all that in real life – not in one summer anyway, but Callie and Olivia do. They share their summer with us, beach cottage, romance, family secrets, happily ever afters, and all.
I love this entire plot! Mia hides away at a beach house, renovating gradually as a way to deal with deep-seated grief. Famous artist Daniel happens along and avails himself of the quiet retreat. They learn to put one foot in front of the other, slowly at first, and then together like a dance. Sarah Bennett writes a lovely waltz, with other couples swirling around, supporting Mia and Daniel individually and as a couple.
Of course a few figurative storms hit- and Bennett uses the cast of secondary characters as both the cause and the solution.
The only misstep was the description of the budding relationship between Mia and Daniel. I didn’t think Mia would have felt comfortable enough with a stranger to sit on his lap, for example. But once you get past the awkward stages, it’s all good. From there on out, Mia and Daniel are like two old souls who know just what the other needs. Their friends are just as intuitive, serving as loving, merciful family when biological relatives don’t come through.
I really can’t wait for book two. These characters are terrific — and I need to see the transformation of the barn!